You may also like
The Backpacker Intern: What He Wants You to Know
Migration Is Natural: Jess X. Snow
Get Over Your Ex by Cutting Them out of Your Photos
Take your art to the next level by imagining a light source and creating some shading in Adobe Photoshop! As a beginning illustrator, it can be daunting to add dimension to your illustrations. However, there is a quick and easy way to begin experimenting with shadows and highlights. Even though it’s very basic, it actually makes a huge difference in the overall quality of the image and can make a quick outline sketch look less flat and more realistic! If you have an illustration that you’ve created with flat colors—which is to say you haven’t already added shading—import it into Adobe Photoshop and follow this tutorial to create some artistic dimension. It works best with black outlines, but feel free to experiment with all kinds of images. Please note that this is not the only way, or the best way, to add shading to an illustration! It’s just a simple method that you might find helpful, especially if you’re just starting out in digital art. Look how much better an illustration looks with just simple shadows and highlights!
- Create two layers, one for your shadows and one for your highlights. The order does not matter! On the “shadows” layer, we will be drawing in black. On the “highlights” layer, we will be drawing in white. I like to use a medium-sized brush with low hardness (around 0%) since my drawing is not very precise and I like the lighting to look soft and natural. At any point, if you’d like to erase a line that you created, just use the eraser tool (with a matching hardness) to remove it. To make the lighting subtle, we’ll be toning the opacity of these layers down to something lower in a later step. To make your job easier, though, you can choose to draw the shadows and highlights at 100% opacity (completely black and white). Or, if it’s easier to visualize the final product by drawing them on at a lower percentage, you can try doing that too! Once you draw both layers, your Photoshop layers might look like this.
- Determine your light sources and let them direct where you draw your highlights. The key to creating realistic lighting is to make it realistic—which means you have to know where the light is coming from, even if it’s not in the picture. For this example, I drew an outdoor scene. I imagined my character looking out a window with the sun off-screen to the top left. Because of this, I knew that the objects would be lit from that direction, so I drew a line of highlight along the top left sides of various objects in the illustration. I drew a line of highlight to the top left of all objects, including these creases in the window glass, roofs of neighboring houses, and edges of pipe.
- Repeat for the shadows. Using the same technique from the last step, imagine the light source in your image and think about which areas would be cast into darkness. In my example, I imagined the sun in the top left, so as a general rule of thumb, I added a line of shadow to the bottom right of each object in the image. Remember, your shadows do not just have to be straight lines that follow the outlines of your illustration! Fill in entire areas that would be darker, like the shadow a chin creates on a neck, hair creates on a face, or eyebrows create on eyelids. For nonhuman subjects, think about which objects would create larger sections of shadow too. Notice how the neck and eye sockets here have more shading than some of the other areas. Your shadows will be more realistic if they’re not linear!
- Set both layers to 8-20% opacity. If you didn’t do this in step one, go ahead and set the entire opacity of each layer. I usually use 10% for highlights and 15% for shadows. If you’re working with darker colors, the highlights will be more dramatic, so you might want to use a lower percentage like 8. On the flipside, if you’re using mostly light colors, the shadows will appear more obvious, so you might want to use a lower percentage for those. (For example, I wish I would have toned down the shadows a bit on the “house” in this tutorial because the light yellow color makes the shadows more dramatic than they appear on the background.) The shadows are more dramatic on light areas, like the yellow house, than they are on dark areas, like the brown window pane.
- Optional: Create more layers for more intense shadows/highlights. Sometimes, having just one layer of shadows and highlights can make them seem too strong in some areas and too subtle in others. To fix this problem, go ahead and create more layers using the same steps listed above to create darker shadows or brighter highlights in certain areas. By layering multiple shadows and highlights, you can create even more dimension and increasingly realistic shading.
For a more in-depth glimpse into the world of digital artwork, consider watching how Dutch artist Lois van Baarle creates his illustrations in Photoshop. Are you a current student? See how you can save up to 60%.
Some effects look best when applied to an entire photo, while other effects look best when used only in certain areas. By nature, the filter used in this technique will affect the entire photo, but with a little (easy) work, you can create an interesting outline effect on just part of your photo.
[If you’d like to download the image used in this tutorial to practice the technique, click here. All files are for practice purposes only.]
1 DUPLICATE THE BACKGROUND
This effect will work on all types of images, but may work best when you have a main object you want to draw attention to. After opening and sizing your image, press Command-J (PC: Ctrl-J) to duplicate the Background layer.
2 APPLY SMART BLUR AND INVERT
Make sure the duplicate layer is active, and then from the Filter menu, choose Blur>Smart Blur. Change the Mode to Edge Only, the Quality to High, and adjust the Radius and Threshold to get mostly outline details. (Generally, you’ll probably end up with a low Radius and a Threshold in the 10–20 range.) Click OK to close the dialog and press Command-I (PC: Ctrl-I) to invert the image.
3 APPLY THE MINIMUM FILTER
To make the black lines thicker, go to the Filter menu, choose Other>Minimum, and set the Radius to 1 (for higher resolution images you may need to increase the Radius to 2 or 3). Click OK.
4 PAINT IN MORE DETAIL
Now fine-tune the effect by using the Brush tool (B) to paint over the areas with white where you don’t want to have any outlines. Then, lower the Opacity of the outline layer in the Layers panel and paint with black to add more detail to the outline where needed (use a brush size that matches the width of your outline). When you’re finished, return the Opacity to 100%.
5 MAKE THE WHITE SEE-THROUGH
To make the white areas see-through, double-click to the right of the layer name in the Layers panel to open the Blending Options. Go to the Blend If sliders at the bottom of the dialog and drag the white triangle on the This Layer slider to the left. As soon as you do, the white areas should become completely transparent. Click OK to close the dialog.
6 MASK IF NECESSARY
If there are any areas where the outline effect is too strong (such as the center of the flower in this example), add a layer mask by clicking on the Add Layer Mask icon at the bottom of the Layers panel. Using black as the Foreground color and a brush Opacity of 30–40% in the Options Bar, paint over the areas where you want a less obvious outline.
7 CHANGE THE COLOR, PART 1
There are a couple of steps to change the color of the outline. First, click on the Create a New Layer icon at the bottom of the Layers panel. Drag this new layer below the outline layer. Click on the outline layer and press Command-E (PC: Ctrl-E) to merge the two layers together (this will permanently change the white areas to transparent).
8 CHANGE THE COLOR, PART 2
Use the Add a Layer Style pop-up menu at the bottom of the Layers panel to add a Color Overlay. Click on the red color swatch to access the Color Picker, choose a color, and click OK twice. (By using the Color Overlay layer style you can easily change the color by double-clicking on Color Overlay in the Layers panel.)
9 ADD A LAYER STYLE
If you want the outline to stand out, you can try adding other layer styles such as a drop shadow (shown here), bevel and emboss, inner shadow, etc. (Note: You can only add these styles if you completed step 7.)
Login form design is a critical component of web application usability. Successful login pages make it easy for registered users to gain access. Simple tutorial about how you can create login from using only basic shapes.
So in this tutorial I am going to show you that how to create a clean and awesome login form in Photoshop. Along the way, we`ll use different tools, apply multiple styles and create nice effects.
You may have missed:
- Program: Adobe Photoshop CS3
- Difficulty: Beginner
- Estimated Completion Time: 25 Mins
Create a Slick Login Form Tutorial in Photoshop: Final Preview
Tools and Resources
Following Photoshop tool are used in this tutorial.
- Rectangle Tool
- Text Tool
Lets start to create our Login Form in Photoshop.
Open Adobe Photoshop, and create a new Photoshop document.
Set your foreground color to # f5f5f5. Now draw a rectangle shape as show below by using Rectangle Tool (U). Name this layer “Base Layer“.
Apply the following blending option on Base Layer.
Set your foreground color to # ffffff. Now draw a rectangle shape as show below by using Rectangle Tool (U). Rename this layer into “User Name“.
Now duplicate the “User Name” layer (Ctrl+J). Move it down and change the name of the duplicate rectangle layer into “Password“.
Apply the following blending options on “User Name“.
Set your foreground color to # 4b8df8. Now draw a rectangle shape as show below by using Rectangle Tool (U). Rename this layer into “Button“.
Apply the following blending options on “Button“.
Set your foreground color to # f8f3f3. Now draw a rectangle shape as show below by using Rectangle Tool (U). Rename this layer into “check box“.
Apply the following blending options on “Check Box“.
Set your foreground color to # 000000. Using Horizontal Type Tool (T), Set fonts “Arial” and type the Sing in text on “Base Layer”.
Set your foreground color to # 000000. Apply the same method on other texts, “User Name” and “Password”
Set your foreground color to # f8f4f4. Using Horizontal Type Tool (T), Set fonts “Arial” and type the Sing in text on “Button”
Apply the following blending options on “Button Text“.
Set your foreground color to # 888686. Using Horizontal Type Tool (T), Set fonts “Arial” and type the Sing in text on “Base Layer”
I hope you have enjoyed this amazing and cool login form tutorial. Don’t Forget to Follow TutorialChip on Twitter or Subscribe to TutorialChip to Get the Latest Updates on Giveaways, Tutorials and More for Free.
A black-and-white photograph is all about the subtle matrix of tonal values that give shape and form to the image. Knowing how to precisely apply modifications to light and shadow is key to fine-tuning a black-and-white photo. In this tutorial, we’ll take a look at some ways to shape and enhance the tonality of a black-and-white image with some quick and simple techniques.
[If you’d like to download the images used in this tutorial to practice these techniques, click here. All files are for practice purposes only.]
Punch Up the Blacks, Method 1
1 SELECT SHADOWS WITH COLOR RANGE
First, we’ll take a look at some ways to quickly isolate and darken the shadows to emphasize texture and create depth. Start with an image that has already been converted to black and white, or you can use the one featured here. Choose Select>Color Range. In the Color Range dialog, use the default menu setting of Sampled Colors and click in the image on a representative dark tone. Use the Fuzziness slider to fine-tune the selection (represented by the white areas in the preview) and click OK. My Fuzziness setting for this image was 60.
2 USE CURVES TO DARKEN SHADOWS
With the Color Range selection active, choose Layer>New Adjustment Layer>Curves. Drag down on the curve as needed to darken the shadow tones and increase the textural depth of the image. Click OK. This technique will be more successful on images with a clear definition between the deep shadows and the middle values, such as the carved heart photograph in this example.
Punch Up the Blacks, Method 2
1 SELECT RGB CHANNEL; INVERSE AND APPLY CURVES
Now let’s try a different version of that technique. Throw away the curves layer you just made. This method uses the inverted tonal map of the image to create a layer mask. Bring up the Channels panel and Command-click (PC: Ctrl-click) on the RGB composite channel (or the Gray channel) to load a selection of the luminosity of the image. Lighter values will be more selected, darker values less selected. Choose Select>Inverse. From the main menu, choose Layer>New Adjustment Layer>Curves. In the New Layer dialog, set the Mode to Multiply and click OK.
2 LOWER LAYER OPACITY
Click OK in the Curves dialog without making any changes to the curve. The image will be noticeably darker, with the darkest tones being affected most of all. This darkening is being accomplished by the Multiply blend mode. Adjust the Opacity in the Layers panel as needed to fine-tune the effect (75% in this example). In the next step we’ll explore further ways to fine-tune this layer mask.
3 ADJUST LAYER MASK WITH CURVES
A layer mask is made up of grayscale tones. Lighter tones show the adjustment more than darker tones. If needed, these tones can be adjusted with standard tonal correction tools. With the Curves adjustment layer active, choose Image>Adjustments>Curves. In this example, I don’t want the lighter tones in the photo to be darkened quite as much, so I used a fairly steep S-curve to increase the contrast in the mask. This minimizes the darkening effect on the lighter areas in the photo. Click OK to apply the curve.
Soft Light Highlight Sculpting
1 CREATE NEW LAYER SET TO SOFT LIGHT
For this technique, we’ll paint on an empty layer with white and black and use a blending mode to add subtle highlights and shadows. You can use one of your own images or the one of the Inca fortress shown here. Add a new layer to the image (Layer>New>Layer and click OK). At the top of the Layers panel, set the blend mode to Soft Light. Choose the Brush tool (B) in the Toolbox; press D then X to set the Foreground color to white; and in the Options Bar, make sure the Mode is set to Normal and the Opacity to 30%.
2 PAINT HIGHLIGHTS AND SHADOWS
Using a brush size that’s appropriate for the areas you’re modifying, paint where you want to increase the sense of a highlight. In this image, I added vertical white strokes to the rounded corner of the central tower, and also on other areas of the wall where there was an obvious highlight that I wanted to enhance. Press X to switch to black and paint in areas where you want to deepen the shadows. You’ll probably need to lower the brush Opacity to 20% for working on the shadows.
3 APPLY GAUSSIAN BLUR
The initial effect of adding enhanced highlights in this way is likely to be too obvious, so to soften the effect and blend it better with the actual highlights and shadows in the image, apply a blur to the layer. Choose Filter>Blur>Gaussian Blur and blur to taste. I ended up using a blur Radius of 35 pixels. Click OK and apply final fine-tuning to this effect by adjusting the layer Opacity as needed.
Quick and Easy Split Toning
1 COLORIZE WITH HUE/SATURATION
Both Camera Raw and Lightroom provide an elegant way to apply a split tone to an image. There are a number of ways you can do this in Photoshop, too. Here’s one way that adds a sepia tone to the highlights and midtones, while preserving the original neutral black-and-white tonality in the darker values. Click the Create New Adjustment Layer icon at the bottom of the Layers panel and add a Hue/Saturation adjustment layer. Click the Colorize checkbox, set the Hue to 38 and the Saturation to 15, and click OK.
2 ADJUST BLENDING OPTIONS
Now we’ll modify the layer to apply the sepia to specific tonal regions. Double-click on the Hue/Saturation layer just to the right of the layer name to bring up the Layer Style Blending Options dialog. Move the shadow slider for This Layer to 100. Option-click (PC: Alt-click) on the right side of that slider to split it in two. Move the right half to approximately 130. Any tone below 100 isn’t being affected by the sepia; between 100 and 130, the sepia will gradually begin to show; and any tone above 130 is being fully affected by the sepia tone. Click OK to close the dialog.
Dan McGinty (see his work on Flickr)- one of our wonderful Forum members – submitted this tutorial on how to create a bubble portrait using Photoshop CS3. Got a tip or tutorial to share? Post it in the tutorials section of our forum.
Upon request I am posting a step by step how to on a recent photo I posted in the share section. I wanted to try something different so I thought of fish eye effects, Well I decided to do the opposite. More of a bubble effect and I loved it for this photo.
Program Used: Photoshop CS3
Difficulty: Easy to Average
Things You Need: A photograph!
Ok, Well here it goes. I will post screen shots along with directions.
Step 1: Open your Image in Photoshop:
Step 2: Draw a box around the part that you would like to put in the bubble.(Hold Shift to keep the rectangle tool as a box.) Remember that you will be losing your corners.
Step 3: deselect the part you have cropped (Apple-d). Then go to filter: Distort: Spherize… Keep it at 100%
Step 4: Now you will have your square image with a sphere effect to the whole center. Select the circle tool now. Start in one corner and drag to the other corner while holding shift to get a perfect circle selecting your sphere.
Then, select:inverse. (selecting all the areas that aren’t in the sphere.)
Step 5: Add a layer. You will still have the area from step 4 selected. Then grab the paint bucket and whatever color you’d like to use and pour it into the space selected!
And now you have completed your Portrait in a bubble. Easy right?
What you’ll need
Find the perfect image for your project with Adobe Stock
Open Photoshop and click the Search icon (magnifying glass). In the Search field, type a search term. Click the image you wish to use and the Libraries panel will open with a watermarked preview of the image.
Double-click the image in the Libraries panel to open it in your document.
Choose File > Save.
Change the feel of an image using an Adjustment layer
To change the feel of the original photo in the upper left corner, choose Window > Adjustments and select Hue/Saturation (circled).
In the Properties panel, adjust the values for Hue, Saturation, and Lightness, and then select Colorize to create a duotone-like, single color cast.
Create a cool type effect with a clipping mask
Create a new document. Select the Type tool and type a letter or word on the screen. We used Bodoni Poster at 400 pt.
Click anywhere on the canvas to place the type.
Drag an image from your computer or place an image from Adobe Stock over the entire letter.
Open the Layers panel (Window > Layers).
In the Layers panel, select the photo layer, and then choose Layer > Create Clipping Mask to clip your photograph to the type. With the image layer still selected, use the Move tool to move the image under the type until you get the ideal composition.
Now you can add other elements to the composition to complete your design.
Select part of an image and add it to another
To follow along, download the two images located in the What you’ll need section at the top of this page.
Open the SunnyPath image in Photoshop, and then add the FloatingWoman image, which will appear on a separate layer. If you’re not sure how to get two images on separate layers, see this super-quick tutorial on adding and arranging images.
Choose Window > Layers to open the Layers panel. Click the Eye icon to hide the SunnyPath image from view.
Choose Select > Select and Mask from the main menu.
Use the Quick Selection tool to select just the woman, without the background.
When you’re satisfied with the mask you’ve created, go over to the Properties panel and choose Output To: New Layer with Layer Mask. Click OK to return to the regular page view.
In the Layers panel, click the Eye icon to hide the original FloatingWoman layer, and reveal the SunnyPath layer.
With the Move tool selected, select the FloatingWoman layer with the layer mask that you just created, and position it so that the woman appears to be floating above the path.
Choose File > Save.
Share your Photoshop creation
You love what you’ve created — now it’s time to share it with your friends.
To export your file, choose File > Export > Export Preferences.
Under Quick Export Format, choose a format to use as your regular export setting. For example, to export a small file size that’s easy to include in social media or email, select JPG as the format, and Quality as 100.
Click OK. From now on, when you want to use these settings, simply choose File > Export > Quick Export.
If you want to fine-tune your settings each time you export your Photoshop file, choose File > Export > Export As. Learn more about Export As settings.
Contributors: Photocreo Bednarek, Michael Jarrott, Christin Lola
Adobe Photoshop is the benchmark of photo editing program. With Photoshop, you can do also anything related to image editing and sharing, including photo slideshow, of course. Here you will learn how to create a slideshow with Photoshop.
This Photoshop slideshow tutorial is suitable for Adobe Photoshop 7, Adobe Photoshop Element, Adobe Photoshop CS, CS2, CS3, CS4 and CS5. Not that the slideshow created with Photoshop (except Photoshop Element) requires Adobe Reader (version 6 or higher) to play.
See Also: Make A Slideshow with Music, Photos and Videos
Create Slideshow with Photoshop 7, CS -CS3
In ther “early” version of Photoshop, you are allowed to create a PDF slideshow to showcase your processed photos. To do so, go to File/Automate/PDF Presentation, and following on-screen instructions to make a slideshow in PDF which could be viewed with the most PDF reader, but Adobe Reader is recommended.
Create Slideshow with Photoshop CS 4 and CS5
Since Photoshop CS4 (including Photoshop CS5), PDF Presentation option has been move to File / Browse in Bridge, or directly click on the Bridge button on the top menu bar of Photoshop. Plus, more options are available to customize a Photoshop slideshow. After PDF slideshows are created. They will be usually open in slideshow mode with Adobe Reader. If not, find the full screen option to play your PDF slideshow.
Create Slideshow with Photoshop Element
It’s easier to make slideshow with Photoshop Element than other editions. It provides a Slide Show Wizard to make Photoshop slideshows. You can access it by going through: Make Photo Creatioins -> Slide Show. You can even add music as the background, and output slideshow video to share with others.
Photoshop Slideshow Conclusion
PDF presentation is a unique way to show off your Photoshop creations. But compared to Slideshow Video created with Photoshop Element, I would choose the letter. With Photoshop Element, you can create a real slideshow – including music and exporting to video – to share your masterpiece with others. Another way to show off your Photoshop creations is to make photo slideshows for website.
Luminosity masks allow us to target precise tones in your photograph, so you can adjust exactly where you want without the need for selections, because it works on image tones. For example, you can lighten just the darkest darks, or add punch to the mid highlights. In this tutorial, we will split the image into 7 zones and make adjustments.
Note, this is an ADVANCED tutorial, which produces advanced results. Don’t complain about it being too hard please, people are at different levels of development.
Luminosity masks can also be used with Layer Blending modes.
Here are the steps 🙂 (Ctrl on windows is Cmd on Mac | Alt on Windows is Option on Mac | Ctrl/Cmd is the Windows and Mac keyboard shortcut)
Record an action, so you only have to do this once | BTW, It’s NOT as complicated as it sounds
Making Highlight Zones:
(Remember to watch the video for full instruction (this is a reference), and also ,make an action its included with the paid tutorial)
1. Open the Channel Panel
2. Ctrl/Cmd+Click on the RGB Thumbnail to load the Luminosity
3. Click the new Channel Button to make a channel out of the selection
4. name it light 1 (These are your highlights)
5. Press Ctrl+Alt+Shift (Cmd+Option+Shift) and click on the Light 1 thumbnail to Intersect the selection.
6. Click the new Channel button and name it Light 2 (These are your brighter Highlights). Repeat…
7. Press Ctrl+Alt+Shift (Cmd+Option+Shift) and click on the Light 2 thumbnail to Intersect the selection.
8. Click the new Channel button and name it Light 3 (These are your brightest Highlights).
Making Shadow Zones
1. Ctrl/Cmd+Click on the RGB Thumbnail to load the Luminosity,
2. Press Ctrl/Cmd+Shift+I to inverse the selection. Now we do the same thing we did for highlights.
3. Click the new Channel Button to make a channel out of the selection
4. Name it dark 1 (These are your shadows)
5. Press Ctrl+Alt+Shift (Cmd+Option+Shift) and click on the Dark 1 thumbnail to Intersect the selection.
6. Click the new Channel button and name it Dark 2 (These are your dark shadows.)
7. Press Ctrl+Alt+Shift (Cmd+Option+Shift) and click on the Dark 2 thumbnail to Intersect the selection.
8. Click the new Channel button and name it Dark 3 (These are your darkest shadows).
1. Press Cmd/Ctrl+A to select all
2. Hold down Ctrl+Alt (Cmd+Option Mac) and click on the highlights 1 channel. This removes the highlights from the selection.
2. Hold down Ctrl+Alt (Cmd+Option Mac) and click on the Dark 1 channel. This removes the shadows from the selection. You should see a warning that No pixels more than 50% are visible.
3. Add a new Channel and name it midtones.
This tutorial, is one of the lessons from my brand new training course, Photoshop 2022 for Digital Photographers. This A-Z training will show you how to make your photos look amazing in Photoshop. It includes all the same images I use, so you can follow along.
Buy it here
Great to see you here at the CAFE
28 responses to “How to use Luminosity Masks in Photoshop tutorial”
This was very helpful. Thank you!
Sorry, Colin, but it is almost impossible to understand every word of your British tiptoe through instructions. You seem to forget you’re not having a casual conversation with a friend, but are in very real terms an “announcer.” The job, in a presentation, is to make every instruction and detail quite clear. No points given for delicate, sexy or posh pronunciation. Are any of your tutorials available in printed form?
I’m sorry, I can’t change who I am. My style is either for you, or not.
Most of my tutorials come with written steps if my voice isn’t “American” enough for you 😉 (I’m joking with you of course, I’ve lived here over 25 years, this is as American as I’m going to sound).
Thank you Colin. I’m struggling with an unevenly lit scan of a nearly invisible old drawing and this helped get me closer to something printable.
Have just viewed your video and am interested in the full course. Re layer masking would it not be a whole lot easier to use a Luminosity Panel like the KuyperTX8 rather than having to set up each of the various channels for every image? Very time intensive. Seems to be a lot of effort when luminosity panels do all the legwork, and a highly editable.
You only have to do this once and create an action. Then its free 😉 but you can buy panels and stuff sure. Just showing people how to do it for themselves. None of my tutorials require people buying anything, except photoshop lol
I have never used Luminosity Masks; however I did purchase your course and look forward to learning a lot.
Hi Colin, been wanting to learn this technique for ages. Excellent tutorial. Thank you.
By the way I’m located in Motherwell, Scotland.
I have used luminosity masking before. I enjoyed your presentation. I am a retired photographer (43 years)
Hi Colin. Insanely helpful tutorial and technique. Love the control separated into different tonal areas.
Fantastic stuff – keep up the brilliant work – N.Z. kia ora koe
Another great tutorial.. thank you.
Thanks Colin, I appreciated this tutorial (all the way from Darwin Australia 🙂 ) One question though: Can’t we get all this, more simply, by going to LRC?
Nope, LR classic doesn’t have luma masks, but you can do something similar, Ill drop a link to another tut I did for that
Hi Colin – I can see the benefit of being able to work with the various tones. But that’s a ton of steps (& hotkeys!) to deal with to create the various lights, darks and their derivatives! So (me being lazy…) I have 2 questions about luminosity masking: (1) Can an action be created to gen all those channels so we don’t have to do it manually each time, and (2) Why can’t we instead open a Curves layer (in Ps) & with the mask active go to Image > Apply Image, then duplicate that layer & invert the mask on the upper layer – then make Curves adjustments on the relevant parts of the Histogram for those two layers? Won’t we be able to affect tones in the image selectively doing that? (I assume your masking technique will avoid any “slippage” into adjacent tones… but it’s a tone of extra work for us lazy folks unless there was an action like there are actions for frequency separation). Thx for the tutorial! I’ll watch it again.
Yes, create an action and you only ever have to do it once! I’m pretty sure I said that in the video? Or did I edit that part out?
People who buy the premium course get this action as well as the written steps for the luminosity masks.
This tutorial will show you step-by-step how to create a realistic looking drop shadow using Adobe Photoshop. This technique works best for round objects and requires a little more work for any irregular in shape objects. I might do another tutorial on that, but if you get the basics of how this technique works, then I’m sure you will be able to figure out the rest. By the way, this exact technique was used for all the shoes that you see on ShoeGuru.ca.
Step 1: Open the file
Find a photo of something round, like a soccer ball for example. Save the image to your computer and open it up in Photoshop.
Step 2: Select the ball
Using an Elliptical Marquee Tool, select the ball. You can constrain your selection by holding down the Shift key on your keyboard (this will make your Elliptical Marquee Tool a perfect circle).
You can “cycle through” all the selection tools by pressing Shift + M .
Step 3: Send the selected object to a new layer
After selecting the ball, press Ctrl + J (or do it the long way by going to: Layer > New > Layer via Copy). This will throw anything selected (ball in this case) up to a new layer.
Step 4: Fill the background with a solid color (white)
Select your Background layer and fill it with White (or any other color that’s not too dark). There are several ways of doing this: first, make sure that your Background and Foreground colors in Photoshop are set at their default values; press D on your keyboard to take your current colors to the default white and black values. Now press Ctrl + Delete . If you were on a Background layer, it should now be filled with white color, if it’s not, something has gone terribly wrong.
Step 5: Create a “shadow”
Select the Brush Tool by pressing B ( for brush). Set the Master Diameter to 100px and Hardness to 0% (right click your mouse anywhere inside of your image to get the following 2nd pop-up). Must be done on a separate layer!
Step 6: Stretch out your newly created “shadow” horizontally and lower the opacity to 60%
Make sure that the “shadow” layer is selected. Press Ctrl + T to activate the Transform Tool (I won’t give the optional “long way” of getting to these functions for 2 reasons: 1). I am lazy and 2). you should use shortcuts – they make your life easier).
Try to get something similar to what you see on the image to the left. Press Enter to finalize your transformation and press 6 to lower the Opacity of the 1st shadow that you just finished transforming to 60% (this will depend on how dark you chose your Background to be; the darker it is the higher the percentage will be, otherwise you won’t see anything).
You might also consider making the ball a little smaller, depending on what image you chose – I will make mine a little smaller.
Step 7: Create a second 50% smaller shadow in a new layer and transform it accordingly
Now select a 50px Master Diameter of the Brush Tool and in a new layer create a second, smaller “shadow”. You will leave this one at 100% Opacity.
Step 8: Positioning (a little bit of theory / explanation)
Now, this step will greatly depend on what angle you are looking at the object and of course the lighting, but for the sake of this tutorial, let’s pretend that we are using a single defused light source, positioned directly above the object. These always create a very nice soft shadow and are used a lot in commercial product photography.
In this case, the centers of both shadows will align in the middle. Once you have aligned them (you can select multiple layers by holding down the Ctrl key, clicking on the layers you want selected and then selecting an alignment option from a menu that looks like this:
Since you can’t see where the ball touches the ground in this example, both shadows will need to be moved up a little bit, since the most shadows happen where the object actually touches the surface. Check the image below if you have no idea what I’m talking about. The red dot is where the object touches the surface (approximately) and where the centers of both shadows should be.
The following examples will show you how the shadows should be positioned in different lighting situations. If the light source is located on the left side, the the bigger (softer) shadow will always be on the opposite side and vise-versa.
Step 9: Saving the final image as a PNG (optional)
Since you have cropped your object and have shadows that contain transparency, a good idea would be to save it without the white background, so the final image could be used on virtually any background color. Click on the little “eye” icon right beside your main Background layer. This will disable (or hide, if you will) that specific layer. Now press Ctrl + Alt + Shift + S (aka Save for Web). This will bring up a window with a preview of what your final output will look like. Change the file format to PNG-24 (PNG with Alpha Channel support) and click Save. You are done!
At first glance, adding a stroke to a layer—either using Edit>Stroke or with the Stroke layer style—might seem pretty basic (approaching boring), but with a little imagination, things can get considerably more interesting in the world of strokes. First we’ll see how using smart objects can add amazing options to your stroked creations and then we’ll learn how to create dashed lines using strokes with patterns.
STEP 1 Start with a Selection
With a background document open, click on the Create a New Layer icon at the bottom of the Layers panel to add a new layer, and use the selection tool of your choice to add a selection. In this example, we added three circles using the Elliptical Marquee tool (hold down the Shift key to add more than one selection on the same layer). Later, we’ll see how you could also start with a custom shape.
STEP 2 Add a Basic Stroke
Although layer styles provide more flexibility, we’ll start with a basic stroke and build on that. From the Edit menu, choose Stroke. In the Stroke dialog, choose the Width and Color, and set the Location to Center. (If you started with a rectangular selection, you may want to use Inside as the position, although that will affect all the other steps). Click OK.
STEP 3 Add a Stroke Layer Style
Click on the Add a Layer Style icon at the bottom of the Layers panel and choose Stroke from the pop-up menu. In the dialog, change the position to Outside and then experiment with the Width and Color to get the look you want. Here we created a black stroke around our original white stroke. Click OK. To create a different look, you could change the Fill opacity in the Layers panel to 0 to remove the original stroke color, leaving only the outside strokes.
STEP 4 Make a Smart Object; Add Another Stroke
Control-click (PC: Right-click) on the stroke layer in the Layers panel and choose Convert to Smart Object. (When you do this, the Stroke layer style can only be edited by double-clicking on the smart object to get to the original information.) Converting the layer to a smart object also means that we can now add another Stroke layer style to the white and black strokes (which we did), effectively creating multiple strokes on the same layer.
STEP 5 Rinse and Repeat
In theory, you can repeat the same operation several times: Convert the smart object to a smart object and add a Stroke layer style. (I know it sounds strange, but you really can convert a smart object into a new smart object.) In practice, the strokes will start to look a little odd if you repeat this procedure too many times. Here’s an example of applying the same techniques to a type layer (making a selection from the type and then using the same steps outlined above).
STEP 6 Experiment with Gradient Strokes
You can also get some interesting results if you use a gradient instead of a solid color for one or more of the Stroke layer styles. The procedure is the same; just choose Gradient from the Fill Type menu in the Layer Style dialog.
STEP 7 Edit the Smart Object for More Possibilities
In this example, we started with the Custom Shape tool and created a path. After turning the path into a selection (Command-click [PC: Ctrl-click] on the Path thumbnail in the Paths panel), we followed the same steps to add multiple stokes through smart objects. By double-clicking on the smart object in the Layers panel, we can edit the “original” but, because we made several smart objects, we had to double-click several times to get back to the very first object. Then we applied a couple of filters from Filter>Brush Strokes and closed and saved each smart object until our main document updated.
Creating Dashed Lines
STEP 1 Create a New Pattern
Start by creating a new document that’s 100×100 pixels, then add a new layer. Select the Rectangular Marquee tool (M) and in the Options Bar, set Style to Fixed Size, with a Width and Height of 50 pixels. Click in the top-left corner of your document to add a selection and fill it with black (press D then Option-Delete [PC: Alt-Backspace]). Repeat for the bottom-right corner and deselect (Command-D [PC: Ctrl-D]). Hide the Background layer by clicking on its Eye icon in the Layers panel, then from the Edit menu, choose Define Pattern and name your pattern.
STEP 2 Add a Stroke Layer Style to a Layer
In this example, we extracted a person from a white background and added the stroke to that layer. In the Stroke options, choose Pattern from the Fill Type menu and select the pattern we just created. Use the Scale option to get the kind of dashed line you want (Note: The pattern will display differently at different scales, so keep experimenting.)
STEP 3 Experiment, Experiment, Experiment
There are many possibilities using these two techniques: Experiment with the built-in patterns, combine a pattern with a smart object stroke—so many creative opportunities!
Above is the final result of this tutorial.
Here is a photo of a brown bear that I took at the Bronx Zoo. I think he came out interesting, but I think that the rocks in the background are a little distracting. I could blur them, or I could turn the background black. In this case I’ll make the background black and see how it comes out.
The first thing I do is drop the image into Photoshop:
The next thing I do is create a new layer. Hit CTRL-J on the keyboard. You’ll see in the layer palette Layer 1. I’m going to double-click on the word (Layer 1) and rename it to “Bear”. It’s always a good idea to name your layers even though in this case I’ll be using only one:
The next thing I’ll do is start painting the background black. For this I’m going to use the paint brush from the tools palette. Make sure the color black is selected and is in the foreground of the color box:
Don’t worry about making a sloppy selection. Just try to get out as much background as you can. In my selection I even chopped off the bear’s ears. No big deal. The next step will fix this problem.
The next thing you’ll do is create a mask. Just click on the mask icon at the bottom of the layers palette and you’ll see the mask box appear in the top layer labeled “Bear”:
Before you start painting back parts of the bear, it’s important to see what you’re doing. In the layers palette go to the Opacity and bring it down enough to see through the image. For this image, 60% looks good.
Next, make sure the mask is selected on the bear layer and start painting. Zoom in close to the object and take your time. Black reveals and white conceals. You have to switch back and forth by clicking on the double arrow, and you’ll see the boxes switching back and forth between white and black. Test it with the paintbrush back and forth between black and white to see the results:
- When you’re painting back the main subject, lower the opacity of the brush itself around the edges, especially if the subject has fur.
- Use a soft paint brush, it will allow you to make seamless brush strokes. A hard brush will give the appearance of harsh brush strokes and you don’t want that.
- Keep going back and forth with the opacity from the layers palette to see how you’re doing.
- Remember: Anything worth your time is worth doing right, so take your time and listen to music while you’re working. Rushing through a project will look rushed through. A project like this might seem tedious. If you get tired, take a break. And always remember, as long as you’re happy with your work then life is good.
How to Create a Drop Shadow Photo Border in Photoshop
Learn how to add canvas space and a drop shadow to an image in Photoshop to create a simple but stylish photo border.
Create a Painted Edges Photo Border in Photoshop
Make your image look like it was painted on canvas with this easy photo border effect!
How to Add a Border to a Photo with Photoshop
Learn how to add a simple border around your photo with Photoshop CC and CS6.
Using A Photo As Its Own Background With Photoshop
In this Photoshop effects tutorial, learn how to easily turn any photo into its own decorative background or border! Now for Photoshop CC and CS6!
Worn, Torn Photo Edges Effect In Photoshop
Learn how to take the normally sharp, straight edges of a photo and make them look worn, torn and faded. Now fully updated for Photoshop CS6 and CC!
Photoshop Borders And Frames – Matted Picture Frame
In this second tutorial in our series on creating photo borders and frames, learn how to add a matted picture frame around an image using Photoshop’s layer styles!
Painted Edges Photo Border With Photoshop CS6
In this Photo Effects tutorial, learn how make an image look like it was painted on canvas with this simple painted edges photo border effect. Now fully updated for Photoshop CS6!
Shape Cluster Photo Display Effect With Photoshop
Learn how to display a single photo as a cluster of shapes, similar to larger wall cluster displays where several photos, usually in different frame shapes and sizes, are arranged together on a wall to form a larger design. In this tutorial, we’ll create something similar but on a smaller scale using just a single image!
Classic Vignette Photo Effect With Photoshop
In this Photoshop effects tutorial, learn how to quickly add a timeless, classic vignette border to a photo! Perfect for wedding and engagement photos, anniversaries and other family portraits!
Snowflakes Photo Border In Photoshop
Learn how to create a simple snowflakes photo border, a fun finishing touch for photos of family and friends during the holidays or of any snowy winter scene!
Holiday Greeting Card Photo Border With Photoshop
Just in time for the holidays! Learn how to create a simple and fun ‘Happy Holidays’ greeting card-style photo border in Photoshop!
Add Photo Mounts To A Photo With Photoshop – Part 2
In Part 2 of this Photoshop tutorial on creating and adding photo mount corners to an image, we take the photo mount we created and saved in part one and add multiple copies of it to a photo!
Add Photo Mounts To A Photo With Photoshop – Part 1
In this two-part Photoshop tutorial, learn how to create and add photo mount corners to an image, a nice finishing touch for wedding or engagement photos, family portraits, travel photos, and more!
Gallery Style Photo Frame Layout With Photoshop
In this Photoshop tutorial, learn how to display your photos as if they were hanging in an art gallery with this easy to create gallery-style photo frame layout!
Three Image Photo Frame Template With Smart Objects In Photoshop
Learn how to create a simple three-image photo frame in Photoshop, then how to easily convert the final result into a reusable template with Smart Objects!
Worn, Torn Photo Edges Effect In Photoshop
Learn how to easily combine the Eraser Tool with one of Photoshop’s built-in brushes, along with a few layers and some layer styles, to give a photo a worn, torn edges effect!
Creating Photo Borders With Photoshop Brushes
Learn how easy it is to create interesting photo border effects using Photoshop’s brushes, including how to load additional brush sets and combine multiple brush strokes with different tools, like the Eraser Tool, for virtually endless creative possibilities!
Halftone Pattern Photo Border With Photoshop
Learn how to create a fun and simple halftone pattern photo border in Photoshop! We’ll use Smart Filters in Photoshop CS3 and CS4 to keep the effect fully editable even after it’s completed, but this photo border can be easily created with any version of Photoshop, including Photoshop Elements!
Creating Photo Borders With Displacement Maps In Photoshop
Learn a great way to create unique and interesting photo border effects in Photoshop using your own texture images as displacement maps!
Create A Wood Picture Frame In Photoshop
Learn how to create a simple wood picture frame in Photoshop using a layer mask, layer styles and one of Photoshop’s built-in patterns!
Creating Photo Borders In Photoshop With Masks And Filters
Learn how to easily create interesting photo border effects in Photoshop simply by applying a filter directly to a layer mask!
Create Photoshop Templates For Photo Effects
Learn how easy it is to create your photo effects as reuseable templates thanks to Smart Objects in Photoshop CS2 and Smart Filters in Photoshop CS3.
Painted Edges Photo Border Effect
Learn how to add a painted edges photo border to your images with Photoshop and how to make it look like it was painted on canvas! When we’re done, we’ll use the file as a template to quickly add the same effect to other photos!
- Member Login
- Contact Us
Get all of our Photoshop tutorials as
Download them today!
This tutorial will show you how to blur faces, backgrounds, text, and more using Photoshop CC.
We’ll be making use of the Gaussian blur effect. The first step is to open the image you want to modify in Photoshop CC.
How to blur an entire image in Photoshop
If you want to blur the entire image choose Filter > Blur > Gaussian Blur.
Adjust the radius to add more or less blur to the image. Then click “OK”.
How to blur faces in Photoshop (easy method)
If you want to blur a face in Photoshop, here is an easy way to do it. You can also use this method to blur text, logos, backgrounds, and anything else you want to blur.
First, use the selection tools to select the area you want to blur. In the following example, the face is selected using the Elliptical Marquee Tool.
Next, apply a Gaussian Blur just like before (Filter > Blur > Gaussian Blur. ). Select the radius and click “OK”. Finally, choose Select > Deselect.
How to blur faces in Photoshop (advanced method)
In the easy method above, there is a hard line between the blurred section and the unblurred section. If you want to make a soft transition between the sections, use this advanced method. This method will also keep the unblurred version on a separate layer so it will be easy to revert if necessary.
First, duplicate the layer by right clicking on the layer and selecting “Duplicate layer. “.
Next, apply a Gaussian Blur just like before (Filter > Blur > Gaussian Blur. ) with your desired radius.
Add a layer mask to the duplicated layer by clicking the “Add vector mask” button. Make sure to hold OPTION on Mac or ALT on Windows while clicking the button to conceal the entire layer behind the mask. You will no longer see the blurred layer.
The next step is to use a brush tool to paint the areas that you want to be blurred. Make sure the brush tool has a soft edge (consider setting the hardness to 0%) and use white as the foreground color.
When you paint white on the mask the areas you paint will become blurred because the blurred layer is revealed.
You can see in the image above that the original unblurred layer is still available.
You can continue to paint any section you want blurred.
I’m a teacher and developer with freeCodeCamp.org. I run the freeCodeCamp.org YouTube channel.
If you read this far, tweet to the author to show them you care. Tweet a thanks
Learn to code for free. freeCodeCamp’s open source curriculum has helped more than 40,000 people get jobs as developers. Get started
freeCodeCamp is a donor-supported tax-exempt 501(c)(3) nonprofit organization (United States Federal Tax Identification Number: 82-0779546)
Our mission: to help people learn to code for free. We accomplish this by creating thousands of videos, articles, and interactive coding lessons – all freely available to the public. We also have thousands of freeCodeCamp study groups around the world.
Donations to freeCodeCamp go toward our education initiatives, and help pay for servers, services, and staff.
Last updated Monday, Aug. 31, 2020, at 10:23 a.m.
This article is based on legacy software.
Photoshop offers a unique layer system for creating images, and many options are available to create different backgrounds for your image. By creating a transparent background for an image, lower layers are allowed to show through without whitespace or unwanted parts of the image. To achieve this effect, you can create a transparent background for an image or make an existing image’s background transparent.
For more information on a background, refer to Working with Colors.
Using the Transparency Option
You can use the Transparency option to create an image on a single layer with no background color values.
From the File menu, select New.
The New dialog box appears.
In the Name text box, type the name of your image.
Set the width and height for the image.
From the Background Contents pull-down list, select Transparent.
When creating a transparent background, the colors that you select in the Color Table will become transparent; therefore, this will work best if the background has been deleted or converted to a solid color.
Open or create the desired image.
Adjust the background of the image as necessary.
From the File menu, select Save for Web & Devices.
The Save For Web & Devices dialog box appears.
On the Color Table palette, select a swatch color that you would like to become transparent in your image.
At the bottom of the Color Table palette, click Maps Selected Colors to Transparent.
(Optional) Repeat steps 9 and 10 until you achieve the desired effect.
The Save Optimized As dialog box appears.
From the Save in pull-down list, select the desired location to save your file.
In the File name text box, type a name for your image.
The image is now saved with its transparencies.
NOTE: If the Replace Files dialog box appears, click Replace.
Deleting an Existing Background
You may find an image you want to use but may not want the background of that image. Removing the background color with the Magic Wand Option works best if the image has a simple one-color background. However, if you have a complex, multicolored background (e.g., the background in a photograph) you will want to use the Select Inverse Option.
Deleting a Background: Magic Wand Option
In the Layers palette, double click the background layer.
NOTE: This may be the only layer present.
The New Layer dialog box appears.
In the Name text box, verify that it reads Layer 0.
NOTE: Do not make changes to the Opacity and Mode settings.
From the Toolbox, select Magic Wand Tool.
In the image, click the background.
The Magic Wand tool selects similar colors in the vicinity of where you click.
An animated dashed line appears around the background or area of similar color.
To add to the selected area, press and hold [Shift] while clicking.
To deselect areas, press and hold [Alt] while clicking.
Once the background is selected, press [Delete].
The background (or selected area) becomes transparent.
Deleting a Background: Select Inverse Option
If you are working with a complex, multicolored background (e.g., the background in a photograph) you will want to use the Select Inverse Option. This option allows you to select the area of the image you would like to remain visible, while making the rest of the image transparent.
In the Layers palette, double click the background layer.
NOTE: This may be the only layer present.
The New Layer dialog box appears.
In the Name text box, verify that it reads Layer 0.
NOTE: Do not make changes to the Opacity and Mode settings.
From the Toolbox, select an appropriate selection tool.
Select the area of the image you want to remain visible.
From the Select menu, select Inverse.
The background of your image is now selected.
The background (or the area around your selected image) becomes transparent.
Was this article helpful? Yes No
Connect with UWEC
University of Wisconsin-Eau Claire
When you have a series of images you want to stitch together in a panorama or grid, the auto-align and auto-blend tools in Photoshop CS3 are your best solution. They’re two incredibly powerful tools that are best used in tandem. In a way, they’re like the Photomerge of old, but CS3 does it a lot better.
In this tutorial, we’ll create a panorama.
Open all the images that will make up your panorama in Photoshop CS3. Drag each image onto a separate layer in the same document and hold the shift key to center each image (Figure 1). You could also use a script to open the images and place them into a single layered document.
Select all the layers by clicking on the bottom layer in the layers palette, holding Shift, and clicking the top layer. For this to work, you cannot have any locked or linked layers except for the background.
Choose Edit>Auto-Align Layers. You will now see a dialog box with four options (Figure 2). For the majority of panoramas, the auto option will work the best. Click OK.
After Photoshop does a little thinking, you will see your images arranged in such a way that they overlap each other nicely (Figure 3). Don’t worry about the seams and color differences at this point. The important thing is the arrangement.
Figure 3. Click image to see larger version.
My example has eight images. Notice that the canvas size has automatically changed to accommodate all the images.
Choose Edit>Auto-Blend Layers. Very quickly, Photoshop adjusts the exposure and white balance of each image and prepares a layer mask with gradients between images. Figure 4a is a close-up that shows what a good job Auto-Blend has done with these images. Figure 4b is a comparison of panoramas created by Photoshop CS2’s Photomerge and by the Photoshop CS3 beta. What a difference!
Figure 4a. Click image to see larger version.
Figure 4b. The results of CS2’s Photomerge are on top; CS3 beta results are below. Click image to see larger version.
Finally, crop and display your panorama (Figure 5). The hardest part of all this is trying to find a printer large enough to output these massive files!
Figure 5. Click image to see larger version.
Kumpulan Tutorial Online.
Hello! And welcome to It’s Tutorial Time! Tonight, I’ll be giving you a tutorial on how to make the fruit banana on adobe photoshop. Me, as an amateur myself would never think that I could draw a banana this quick and easy on photoshop. BUT! I found a very easy tutorial on the internet. So, I tweaked on it a little bit and I will give extra steps and tricks on how to make it. Please enjoy and goodluck!! 😉
Name: Banana Tutorial
Platform: Adobe Photoshop CS3 Extended
(I know, I am way too outdated. But the good news is if a CS3 user could do this, all of you CS6 users could do better then!)
Time: 5 to 10 minutes
So, first thing first, this is how the end product will look like:
1. SO, the first thing we have to do to make the kind of awesome looking banana is to go to Adobe Photoshop, click on File and go to ‘New’ (or simply just press Ctrl + N on your Windows keyboard). This is how my measuring panel look like:
ALWAYS remember to set your resolution as high as possible (300 is VERY high and it is high enough, but 150 is alright). The higher your resolution is, the more possible it is to print it out without having it crackin’. I set mine to 3000x3000px with the resolution of 300. I always set the background contents to transparent because it allows me to see clearly between pixels and you could always add background color at the end.
2. After hitting OK, you will go to the navigation panel over your left side. Click the Rectangle Tool which is here:
and began to make a vertical rectangle using the Rectangle Tool like this:
Make sure you make the rectangle with the banana color of your choice. I choose the color yellow because banana is yellow (?) hehe. This is the color panel for the yellow I use:
3. Actually before this step, you could make another horizontal rectangle (an upward rectangle one) using the color black and make a fiber-y texture using Filter -> Render -> Fibers then make it vertical and then turn its opacity and fill into 60% with soft light as its color setting. This makes the banana turns into a more alive banana. If we make this fiber-y texture, the final turnout would be like this:
Check out @bananoy_id on Instagram, guys!
But, without the texture it would be pretty much the same. The next step is to turn the vertical rectangle into a banana shape. First, press CTRL + T on your rectangle layer and then on the panel here, click the one I had circled on:
Then, play with your rectangle and turn the shape into something like this:
If you think this is too difficult for you, don’t worry! It’s actually pretty easy. Remember how I told you to use the background content as transparent? This is the part where it eases things up. Just take the circles and put them on the black/white box like mine. Customize the lines by following how mine looks! 😉 After you are done, don’t forget to click anywhere on the navigation panel (where there is the rectangle tool icon) and click OK!
4. Hit on the Eraser Tools and erase two parts on the right side of the banana shape like this:
I use Hard-Rounded eraser 500px. This is to make the banana looks like it has a stake on it.
5. After that, it is the FUN part! 😀 It’s Coloring Time!! Use Burn Tool and Dodge Tool to color the banana. Here is what the Burn Tool and Dodge Tool look like:
Just play around! Burn the sides where you think should go darker and dodge the sides where you think should go lighter. Remember to darken the end points of the banana. Now, my banana looks like this:
6. To have the end points blackened, I use brush and paint the ends with the color black. The brush I use is Soft-Rounded brush 300px. Just glazed the brush on both tips (REMEMBER to ALWAYS make a new layer before brushing them into the banana). To make new layer, click this:
And then go to Filter -> Blur -> Gaussian Blur. Set the Radius into 70px. If it does not please you, just play around with the Radius until you are satisfied with it. 🙂 Now, my banana looks like this:
AND to make the black brush inlined with the banana, go to the black brush layer, right click on it and click on Create Clipping Mask like this:
And the layer should look like the one below it.
7. Now, to make the banana looks like it edges (to make it looks 3D-ish), make a new layer, go to Rectangular Marquee Tool and right click on it. Switch Rectangular into Elliptical Marquee Tool. Make an ellipse with it and fill it out with white, like this:
Yes, position it that way and switch the opacity and fill like this:
8. THE LAST STEP! Go to Brush Tool and choose the Soft-Rounded brush 500px. Set foreground color into this color:
After that, make a new layer and grazed some parts of the banana with the brush like this:
Then, set the layer customization with fill into 30% and clip masked the layer like this:
And then YOU ARE DONE! BUT, if you feel like tweaking up a bit, then go to the burn tool again and color the stake to go darker. You’ll have the same banana as I have on the beginning of the blog! Thank you for reading and going through the tutorial. If you have any questions, please ask directly and if you have any request for tutorials (ANY TUTORIALS), just put it in the comment below.
So you want to design your own custom t-shirts and one of these t-shirt mockup free might be usefull. In today Photoshop tutorial you’ll learn the easy ways process in designing your own t-shirt.
In this tutorial we’ll use the graphic and font from The Smashing September Bundle by TheHungryJPEG. The bundle packed full with 101 different font files from 45 font families and 12 beautiful graphics packs with over 1260 elements & patterns.
Get this smashing collection for ONLY $29 — that’s 97% OFF!
The following assets were used during the production of this tutorial, that you can found in “The Smashing September Bundle” from TheHungryJPEG:
- Pink Lady Font by Ivan Rosenberg
- Watercolor Rose Garden Graphic by Irina Diasli
Step 1: Set Up Your Photoshop Document
Open File -> New
Set paper size to A4 with resolution to 300dpi and color mode CMYK.
Step 2: Set your canvas
Set background color to red #820000
Step 3: Choose Your Image
We use Water Color Rose Garden by Irina Diasli from “The Smashing September Bundle” By TheHungryJPEG
Step 4: Edit the flower
Open Image -> Adjustments -> Threshold
Set threshold level to 210, or set the level until most of the image still looks visible
Set layer preview to multiply and fill: 50%
Step 5: Put Some Words
Then I chose “Pink Lady Font by Ivan Rosenberg” from “The Smashing September Bundle” By TheHungryJPEG. This font includes 3 font versions (Script, Script Alt & Sans)
At first line, set font style: Sans, font size: 72pt and color #ffffff
At second line, set font style: Script Alt, font size: 72pt and color #ffba14
Step 6: Edit text style
For the last touch, we will create Warped Text
choose Style: Rise, Horizontal, and Bend: 50%.
The Final Result
Congratulation your custom t-shirt design is ready!
In this easy step by step tutorial we learned how to create your own custom t-shirt design with Adobe Photoshop by using font and graphic in The Smashing September Bundle from TheHungryJPEG.
With the same techniques above, I also create the other custom t-shirt designs to inspire you below.
I hope that you’ve enjoyed my tutorial and learned something new. Please feel free to leave your comments, suggestions, and outcomes below.
You can perform various operations on type to change its appearance. For example, you can warp type, convert type to shapes, or add a drop shadow to type. One of the easiest ways to create type effects is to play the default Text Effects actions that come with Photoshop on a type layer. You can access these effects by choosing Text Effects from the Actions panel menu.
You can enter type that flows along the edge of a work path created by a pen or a shape tool. When you enter type along a path, the type flows in the direction that anchor points were added to the path. Entering horizontal type on a path results in letters that are perpendicular to the baseline. Entering vertical type on a path results in text orientation parallel to the baseline.
You can also enter type inside a closed path. In this case, however, the type is always oriented horizontally, with line breaks occurring wherever the type reaches path boundaries.
As you move a path or change its shape, related type conforms to the new path location or shape.
Enter type along a path
Select the Horizontal Type tool or the Vertical Type tool .
Select the Horizontal Type Mask tool or the Vertical Type Mask tool .
For more control over vertical alignment of type on a path, use the Baseline Shift option in the Character panel. For example, type a negative value in the Baseline Shift text box to lower the type.
Move or flip type along a path
To move text, click and drag the type along the path. Be careful not to drag across the path.
To flip text to the other side of the path, click and drag the type across the path.
To move type across a path without changing the direction of the type, use the Baseline Shift option in the Character panel. For example, if you created type that runs from left to right across the top of a circle, you can enter a negative number in the Baseline Shift text box to drop the type so that it flows inside the top of the circle.
Converting images to vector graphics makes it easier to resize them from the size of a business card to the size of a building without any loss in quality that happens with JPEG or PNG images. If you need an image that could be scaled to any size, follow this quick and easy tutorial on how to vectorize an image in Photoshop.
1. Open an Image in a New Layer
Free vector sites don’t have the vector you need? Don’t worry. Just drag and drop the desired image into the Photoshop window, or go to the File menu, click “Open”, and select the image.
2. Make a Selection
Then, you need to make a selection in any way that is convenient to you. Depending on the complexity of your image, Photoshop has a whole range of tools you can use.
The Elliptical Marquee Tool and the Rectangular Marquee Tool cover the basic tasks and are perfect for dealing with simple, geometric shapes. For more complicated selections I recommend using the Lasso Tool, and Magnetic Lasso Tool.
3. Turn Your Selection into a Path
Now, we have to convert our selection into a path. In order to do it, select the Marquee Tool (M), right-click on the image, and choose “Make Work Path”. After the conversion, any fuzzy edges become sharp and smooth.
A path can be transformed, just like the image layers. To select the whole vector, or only its part, use the “Path Selection”. Go to the “Edit” menu, and click on “Transform Path”. Next, you have to choose the desired transformation. You can even use Free Transform, Warp, and Rotate.
4. Set a Tolerance Value
Tolerance defines how the traced path is allowed to deviate from the contours. It ranges from 0.5 to 10 pixels. The lower the value, the more closely your path is followed. If you select a value that is too low, it may result in too many anchor points.
If you select high value, your path is going to be too rounded. I recommend setting a tolerance value to 1,0.
5. Use the Direct Selection Tool
Next, click on the Direct Selection Tool (A).
6. Create a Mask
Right-click on the image and select “Create Vector Mask”.
7. Look for a New Layer Mask
At this point, you should see a new layer mask with your vector appear.
8. Done! Save the File
Now, you can save the file in the EPS file format and further edit it in any vector graphics software. With this file format, you won’t ever have to worry about where the vector will be placed or printed. Regardless of the size, it will always have the correct resolution.
Adobe Photoshop Freebies
Add a custom look to any photo with this collection of 5 high-quality freebies. This set contains effective and superb effects to enhance your photos and take them to the next level.
Photoshop provides a variety of effects—such as shadows, glows, and bevels—that change the appearance of a layer’s contents in a non-distructive way. Layer effects are linked to the layer contents. When you move or edit the contents of the layer, the same effects are applied to the modified contents. For example, if you apply a drop shadow to a text layer and then add new text, the shadow is added automatically to the new text.
A layer style is one or more effects applied to a layer or layer group. You can apply one of the preset styles provided with Photoshop or create a custom style using the Layer Style dialog box. The layer effects icon appears to the right of the layer’s name in the Layers panel. You can expand the style in the Layers panel to view or edit the effects that compose the style.
You can apply multiple effects in a single layer style. Also, more than one instance of some effects can comprise a layer style.
A. Layer effects icon B. Click to expand and show layer effects C. Layer effects
When you save a custom style, it becomes a preset style. Preset styles appear in the Styles panel and can be applied to a layer or group with a single click.
How to use new Presets in Photoshop
You can apply preset styles from the Styles panel. The layer styles that come with Photoshop are grouped into libraries by function. For example, one library contains styles for creating web buttons; another library contains styles for adding effects to text. To access these styles, you need to load the appropriate library. For information on loading and saving styles, see Create and manage preset styles.
You cannot apply layer styles to a background, locked layer, or group.
Subscribe Below to Download the Article Immediately
You can also select your interests for free access to our premium training:
Want to add a subtle effect to your photos to draw the viewer’s attention? Adding a vignette in Photoshop will do just that.
In this article, I’ll show you three different ways to create a vignette effect.
What Is a Vignette?
The vignette effect is probably as old as photography itself. It’s a darkening of the photo towards the corners.
It’s still popular today because by applying a vignette, you’ll draw more attention to the subject.
How to Add a Vignette in Photoshop
Photoshop gives you a lot of possibilities if you want to create a vignette effect. Here are some of the most common methods.
1. Add a Vignette With the Lens Correction Filter
Step 1: Open the Lens Correction Window
Open the photo you want to use for the vignette effect. Choose “Lens Correction…” from the Filter menu.
Step 2: Add the Vignette Effect
Select the Custom tab.
You’ll see two sliders to control the vignette effect. One to set the amount and one to set the midpoint. You can see how it will look in the preview image.
This is definitely the easiest way to add a vignette in Photoshop. The problem is that it doesn’t allow you to customize the effect.
2. Add a Vignette With a Levels Layer
Step 1: Add a Levels Layer
Click on the “Create new fill or adjustment layer” icon and select “Levels…”. The Levels panel will pop up.
Pull the grey triangle to the right. This will darken the image. If you want the effect even more intense, pull the white triangle of the slider below to the left.
Step 2: Masking
Select the Paint Brush tool and make sure the color is set to black.
Make sure the layer mask thumbnail of the Curves layer is selected.
Pick a large and soft brush and paint over the middle of your photo. The darkening will disappear where you paint with black.
You can see how the mask thumbnail changes.
If you want to add darkening again, paint with white over your photo.
This method allows you to adjust not just the size but also the shape of the vignette effect. You can go for a circle, oval or even a straight line.
You can always change the intensity of the effect by double-clicking on the Levels layer.
3. Add a Vignette Effect With Solid Color Layer
Step 1: Add Solid Color
Click on the “Create new fill or adjustment layer” icon and select “Solid Color”.
Select Set the color to black in the Color Picker and click OK.
Step 2: Change Blending Mode
Set the opacity to around 30%. Change the blending mode to “Multiply”.
Step 3: Masking
Use step 2 of the previous method to create a vignette effect.
This method is similar but it’s even more versatile. Now, you can also experiment with different colors. Choose brown for a subtle difference or use white to create something entirely different.
If you decide to use a light color, make sure to set the blending mode to Lighten instead of Multiply.
There are probably more than a dozen ways to create a vignette in Photoshop. However, the best vignette draws attention to the subject and not to the effect itself.
Experiment with different shapes and colors depending on your photo and the position of the subject. Avoid making the vignette too dark because it will lose its power.
We have great posts on how to use the High Pass Filter or brushes in Photoshop to check out next!
In this post, I’ll show you how to create a simple composite by placing one image in another. Along the way, I’ll not only bend one image to fit its new position but I’ll also show you a layer style trick that overcomes the problem that you’ll see if you scroll down to step 6 and take a look at what happens when I mask the image to make the fingertip show.
1. To create this composite, open the images to use. We’ll assemble the composite in the image of the plaster hand. Start by dragging the background layer from the photograph into the hand image. It will appear on its own layer and you can now close that image as it is no longer needed.
2. Size the imported image to fit where it needs to go. In this case the border will be added inside the image so I’ll make the image almost as large as the cardboard it will be ‘attached’ to.
Size the image in proportion so you don’t skew it. To get it to fit on in dimension it will probably be either too tall or too wide in the other dimension and that’s fine.
3. Once you’ve applied the transformation, select the rectangular marquee tool and drag over the area of the photo that you want to retain. Choose Select > Inverse to invert the section and press Delete to delete the excess image.
4. To warp the image to fit the shape of the card, select the image and choose Edit > Transform > Warp. This adds a series of warp handles to the image. Drag on these to bend the image so it fits over the area you want to cover.
When you’re done, confirm the transformation.
5. To add a white border around the image as if it were a photo stuck to the card, select the image layer, click the Add a Layer Style button at the foot of the Layers palette and choose Stroke.
Set the color to white and the size to a size appropriate for your image. Set the position to Inside so you get square corners on the image (if you choose Center or Outside the corners will be rounded).
When you are done, click Ok.
6. With this image layer still selected, click the Add Layer Mask icon at the foot of the Layers palette.
Select a medium hard brush, set the foreground color to black and paint on the mask to reveal the finger on the underlying layer. This makes the finger look like it is above the image and not behind it.
One simple way to do this is to hide the photo layer and use a tool like the Quick Selection tool to select over the finger on the background layer. Then, with the selection in place, display the top layer and select its mask. With black as the foreground color, press Alt + Backspace (Option + Delete on the Mac), to fill the selected area on the mask with black.
You’ll see that we have some problems with the mask because it distorts the stroke around the picture. We want the stroke applied to the image and we don’t want the mask to have any effect on it – right now it is having an unwanted effect.
7. To solve the problem, double click the Effects entry in the Layers palette to open the Layer Styles dialog. In the Blending Options area of the dialog, select the check box for Layer Mask Hides Effects.
This configures the mask on the layer to hide not only the image content on that layer but also a style applied to that layer.
1.Create a document with each frame of the animation on a different layer.
2.Select the layers to be used in the animation from the layers palette.
Note: To select a group of layers, select the layer at the top of the group. Then hold the shift key and click on the bottom layer. This will highlight every layer in between.
3.Open the animation palette by choosing “Window” from the menu bar and selecting “Animation.“ When the animation palette opens, it should look like the photo below. If it doesn’t, that means it opened in the timeline view.
4.Change the frame animation view. Click on the “Flyout” menu in the upper right hand corner of the animation palette and select “Convert to Frame Animation.”
5.Change every layer showing on one frame to every layer showing on its own frame. Click the “Flyout” menu on the animation palette and choose “Make frames from layers.”
Note: All layers don’t have to be selected. To select a few layers, use the copy layer button at the bottom right of the animation palette to add layers.
6.Modify each frame. Select the frame on the animation window and change it as desired in the main Photoshop window.
Note: To add or remove a graphic from another layer to any frame, select the frame and in the layers palette, click the “eye” to toggle on or off the visibility for that layer.
7.Click on the arrow head under each frame to display the timing menu. Select the display time for each frame.
8.From the file menu, select export to export the document as a movie. Alternatively, you could go to the “Save” option and save the file as a GIF. Be sure to select “Save for Web and Devices” (.gif under this option).
Note: If you want to loop your animation continuously, you can select that option in the window that pops up after you have chosen “Save For Web and Devices”. Under the color table that shows up is “Looping options.”Select “forever” and save it. You can also pick “others” and select the amount of times you want your animation to loop.
Adobe’s Photoshop is a fantastic tool to use when creating, editing or designing images. However, with its incredibly versatile range of functions – figuring out even the most simple of tasks can seem daunting. Luckily, you can learn everything about Photoshop Elements 11 in this course. Since Photoshop is so complex we’ll go over a couple of different methods to achieve your desired background blur results right here.
Maybe you thought this button was meant to make it rain, but really, the teardrop on your toolbar is the one for the relatively small and non-precise kind of job.
Select the image you wish to edit.
Click on that raindrop button on your toolbar.
Go ahead and select the brush size and stroke at the top of your screen.
On the drop-down menu you have the option to choose which area of the image you would like to focus on more. This allows you to lighten, darken, sharpen etc. the image.
Now you will choose your blur strength. You can go super subtle (which would allow for more control), or you can do it up with a strong blur. The lower the number the more subtle the tool is.
So now, you blur! Hold down your mouse over the parts of the background you would like to alter. Move the brush around in circular like motions (it’s similar to the spray can on the Paint program).
Voila. You have created your very own blurred background image. Don’t forget to save it.
There are a lot of other cool things to do in Photoshop. This Photoshop tools workshop will get your Photoshop skills up to par in no time.
These tools are handy for a number of reasons, but today we will just focus on how it will let you blur your image background. There are a couple versions of the lasso tool to suit your needs. There’s the regular lasso, polygonal lasso (best if your background has straight edges), magnetic lasso (let Photoshop determine the foreground and background for you – if you feel like giving up the reigns). There is also another, non-lasso related option, the quick mask tool, which is totally freehand and best for super precise selections. If you are impatient, this may not be the best choice. You can learn more about these tools, amongst others, in this easy Photoshop CS6 Essentials online course.
Select the image you wish to edit.
Click on the lasso tool towards the top of your toolbar. (Hold down your mouse and this will show you the option to use any of the aforementioned three lasso tools.) Or, just type L as a short-cut.
Draw around the section of the background you would like to blur. A border around your selection will appear to be moving like little marcher ants. This is a good thing.
If you choose to use the quick mask tool, you can find it hiding on your toolbar at the bottom. It looks like someone stuffed a circle into a square. They did.
So now that you’ve got this border shuffling around your selection you probably want it to do the blur thing. Go to the top of your screen and select “Filter->Blur”
Types of Blur
There are 9 different styles of blur on Photoshop. Let’s go over them so you can choose the perfect one for you.
This blur tool allows you to take the average color inside your selected area and blur it. It creates smooth transitions.
Blur or Blur More
Well, this does more or less what it says it’s going to do. Blur. It takes the components from inside your selection and carefully blurs them together. Especially good to use where different colors meet. If you’re looking for a more dramatic effect then select “blur more” which will increase the haze by about three-fold.
This blur type reads the average color value of your selection and then of pixels next to your selection. It blends them together to make it a nice smooth, line-free, blur. Tip: A larger radius brush will create a greater blur.
This is easy. Use this tool to adjust the amount you want your image to blur. There will be a little pop-up box with a slider to do so.
Trying to make it look like the train was moving even though it’s been inoperable for years? Yeah, motion blur is your guy. This will allow you to adjust the direction and intensity of the background image. It’s like taking a picture out of a moving car.
This is equivalent to the zoom in and zoom out feature on your camera. You can adjust the radial blur from 1 to 100 in addition to using the radial spin or radial zoom options.
This option gives you the ability to be incredibly precise. You can change the radius of the blur for a specific area, which blurs the pixels at a certain distance away; or change the threshold which indicates which type of pixels you want to see blur.
The surface blur keeps the center of the image blurred to your degree of specification, but keeps the edges sharp. Play around with the threshold and radius’ to get different cool effects.
Maybe you want the certain aspects of the background to stay in focus and others to be blurred. This tool will let you achieve the kind of depth of field you are looking for. There are three choices for the lens blur, faster (for faster previews), blur focal distance (adjust the pixel depths) and invert (which inverts the alpha channels of your depth map source).
So, there you have it, blur tool 101. For Photoshop 101, check out this Photoshop Elements 11 Made easy training tutorial. It’s safe to say you’re probably a Photoshop blur tool pro now. Don’t forget to just play around and have some fun, too!